If you have been reading this blog for any length of time, you might be asking yourself what the heck is this guy doing writing about Catholic, or for that matter any, literary matters. This would be an excellent observation. I don’t intend to write about the literary arts per se, rather, on a particular concern associated with the. Some time ago I posted on a book by a Catholic novelist on the issue of chastity.
It was a good book but I had some misgivings about some of the content (actually a quite small part). However, it was very much in line of what you might read from Walker Percy or Flannery O’Connor. There was the use of obscene language and some mild sexual scenes. So what’s my problem?
There are three issues here as I see them. First, there is the issue of purity. Second, we have the matter of material participation in evil. Finally, we have the issue of scandal. I will take them one at a time.
Flannery O’Connor had some misgivings about her style and how it corresponded to her faith but after consulting with her spiritual director, he told her that she did not have the obligation to write for a 15 year old girl. True enough; I suppose that we are guilty here at C-L-S of assuming this as well. However, there ought to be more said about this. While we do not have the obligation to limit everything we write or say to audiences that are not sufficiently mature to deal with certain topics this is not the same as saying we do not have the obligation to attend to the concern of avoiding putting others into the near occasion of sin. We are our brothers’ keepers and must help to guard others’ purity. This is not the same as puritanism.
O.k., so what is the difference between purity and puritanism? Purity is a single minded commitment of the will to be in accord with God and therefore to look upon other human beings in the way that God created them. In other words, purity recognizes that each human person is made in the image of God and created for their own sakes. The person is made body and soul and purity recognizes, therefore, the beauty and goodness of the body and its important role in manifesting the person. It also recognizes the importance and goodness, nay holiness, of marital sexual intercourse. Purity recognizes that the only proper attitude toward a person is love. Others cannot be treated as a means but must always be looked upon as ends in themselves. Thus, no one can be reduced to their physical (or any other) attributes. They cannot be looked upon as a means to pleasure.
Purity also recognizes that we are in a fallen state and that it is a constant struggle to avoid the reduction of the other to a means to an end. This is very often sexual or emotional pleasure, but not always. And so purity recognizes that there are certain things that can lead one to see and treat others as objects. As an example, men are very visual and can be, in varying degrees, visually superficial. Thus, those wishing to be pure must avoid such occasions that would subject them to impure thoughts. While these are often visual, as I will discuss below, words can be powerful occasions for returning one to problematic visual experiences. Women wishing to guard men’s purity will not subject reveal their bodies in such a way as to make themselves the occasion of temptations against purity.
Puritanism, on the other hand, sees the body and even marital sexual intercourse as dirty, as something of a necessary evil. So while the response of someone motivated by puritanism and one motivated by an authentic concern for purity may sometimes externally appear to be the same, it will not be such in all cases because of their different motivations. For example, while respecting purity, the naked human body may be portrayed in art if it is done in such a way as to reveal the whole human person rather than to evoke an erotic response. Puritanism would never allow this to be done.
So now that we have these terms defined, we need to look at what we are doing in literature with words and word images. Words are symbols and have symbolic value. They point to a reality beyond themselves. I suppose that our post-Cartesian mindset has led us to view symbols in a disembodied, even arbitrary manner. A rose by any other name…
There is some truth to the claim of arbitrariness to the assigning of names to things, but this is not universally true. Nor does this fact negate the mediation of the thing symbolized, in a very real way, through its symbol. Symbols are more than just arbitrary signs of something else. We recognize this in our human experience. For example, the way a person’s name can mediate their presence to us in such a way that we actually experience in a certain manner, their presence.
Another example might be the way we react when someone says something kind or hateful to us. Even if we know what they are thinking, the experience of hearing or reading the words gives us the sense that the words have an ontology of their own. We are cut to the quick with hateful words or uplifted in an almost transcendent way with words of affirmation. There is a weightiness to the spoken and written word that goes beyond simple affective or psychological response.
Thus, words and word images can and do mediate to us the object or experience they symbolize, in way that cannot be reduced to the cognitive. That is why words are so powerful and must be used with much care. This brings us to the second issue: material participation in evil.
We must always avoid evil, but there are times when as an unintended side effect of a good act with a good intention, we find that the good done results in bad consequences. Sometimes we find that accepting the unintended consequences is justified by the greater proportion of good that will come from the good act and good intention. The Catholic tradition refers to this as the principle of double effect. Just war teaching relies upon this principle. In the case of using words or word images that might evoke impure responses in others but the intention is to explain circumstances and/or actually counter the effects of such events and words the use of them may be justified. However, we must first recognize that they are evils.
If we look at obscenities, we can see that they usually have to do with the bathroom or the bedroom. Most others tend to reduce the human person to something less than human. Most all have the same goal. They take what is holy or sacred (an act or a human person) and try to reduce it to the profane. Even if they are not always intended in this way by those who use them, that is their etymology. Thus, the use of them is at least a material participation in evil. Formal participation would be actually intending, to some degree, to convey the evil sentiment. Material participation can sometimes be licit and necessary. Formal participation in evil can never be justified.
Therefore, one must recognize the gravity of choosing to use obscene words or word images. It seems to me that literary merit in and of itself cannot be the only consideration. Rather, the gravity of material participation in evil dictates that one must ensure the use of obscene words or word images is an absolute necessity with no other effective way to bring about the good. Furthermore, one can never employ obscenities with the intent that the reader will experience a lurid response and furthermore, the writer must use all his skill to ensure that this is avoided. This would be formal participation and no good result can ever justify it.
The final issue is scandal. There are two aspects to this issue. The first is that which we have been discussing all along. Christian scandal is not what is often meant colloquially by the use of the term, mainly shocking sensibilities. Rather, the Christian meaning can be found in its Greek etymological origin, scandalon, which means a stone upon which one stumbles. In other words, in this context one is guilty of scandal when he causes others to sin or he makes it at least a near temptation. Today, so many have been exposed to pornography that this becomes a dicey issue. It does not take much for some (many?) to be led back to these images impressed forever in their memories. This ought to be taken into consideration, at least in deciding how to craft the use of one’s literary material.
However, something else ought to be considered as well. We are conditioned by our culture with the idea of “adult” humor, content, etc. into a mistaken notion about adult abilities. Now, while it is true that adults do have a greater maturity and therefore, capacity and obligation to master themselves and their responses to exposure to impure, or suggestively so, experiences, we too often naively assume that these exposures have no effect on us. All have varying degrees of self-mastery, but no one can be so confident in themselves that they would unthinkingly expose themselves to impurity. In fact, I would submit that exposure to impurity has a tremendous, cumulative, and perhaps almost imperceptible effect on our thinking and willful responses to temptations against purity. Being an “adult” does not give anyone license to expose himself to impurity with the presumption that their are no negative consequences for so doing. In fact, just the opposite is true. As an adult, one has the obligation to recognize and avoid all temptations against purity.
The other aspect of scandal is that by use of obscenity one can lead his readers to assume that obscene words or word images are “no big deal.” I think that this does happen when, for example, someone reads Walker Percy, knowing that he was a very faithful Catholic and sees his use of obscenities, the reader comes to think that there is nothing wrong with or at least no caution necessary with their use.
This is why you do not see the use of such words here and that we edit out or delete any such use as seems appropriate. Thoughts?